Concert Band, Wind Orchestra, Solo with Band

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GRADE 6



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Remembrance

First Symphony for Wind Orchestra. Duration 22:00 aprox. Grade 6 (E).

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    Remembrance is the first symphony for symphonic band of Carlos Pellicer and has been commissioned by…

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    Remembrance is the first symphony for symphonic band of Carlos Pellicer and has been commissioned by the Societat Filharmónica Alteanense as a piece of obligatory interpretation for the 45th edition of the Certamen Internacional de Bandas de Música ‘Villa de Altea’ which, under the slogan ‘Una dona del poble: Carmelina Sánchez-Cutillas’ (a woman of the town: Carmelina Sánchez-Cutillas), will be dedicated to women, to gender equality and in particular to the figure of this writer from Alicante. In this way, the Remembrancesymphony is built from the novel that possibly represents Sanchez-Cutillas: ‘Matèria de Bretanya’, no doubt the novel that has become, is and will be the reference book for all the Alteans. Its premiere will be next December in the Palau Altea of the same town during the celebration of this International Contest of Music Bands.

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    I Movement

    II Movement

    III Movement

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    Dis-tensions-dis

    Instrumentation concert band. Duration 15:50. Grade 6 (F).

    Dis-TENSIONS-diS received a Mencion de Honor at the Italian Concorso Internazionale di Composizione…

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    The title ‘Dis-TENSIONS-diS’ is a game (or pun) with the words tension and distension (relaxation). The work stems from a ‘Leitmotiv’ presented at the beginning of the work by the warm sound of the bassoon. So from this melody draws all small parts for maximum re-use like elements of cohesion in different parts of the work. Hence the inevitable game of ‘tension and relaxation’ that occurs from such re-use of the same subject, but with a multitude of possible variations.

    Dis-TENSIONS-diS received a Mencion de Honor at the Italian Concorso Internazionale di Composizione Originale per Banda 2009.

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    GRADE 5



    sequences-for-band-carlos-pellicer

    Sequences for band

    Instrumentation concert band. Duration 15:50. Grade 5 (E).

    Awarded with the First Prize of the prestigious International Contest…

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    Sequences for Band is constructed from several melodic sequences that converge independently of each other on many occasions but sometimes also agree together. The work is divided into three distinct and well contrasted parts: the first and third part are mostly eclectic and with great force whereas the second part is used to relax the musical discourse.

    Sequences for Band was awarded with the First Prize of the prestigious International Contest for Original Band Composition in Corciano, Italy 2013.

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    Discursum

    Music for a proclamation, for concert band. Duration 3:10. Grade 5 (E).

    The original version for orchestra was written in 2012 for the Proclamation of Benigànim Festival (Valencia)…

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    The original version for orchestra was written in 2012 for the Proclamation of Benigànim Festival (Valencia). Adapted and revised in 2013 for symphonic band, it was premiered in Burriana (Castellón) on October 6, 2013 by the Federal Band of the Federation of Musical Societies of the Valencian Community under the direction of the maestro Rafel Garrigós in the Awards Gala Euterpe of Music 2013.

    It is a brief but very intense piece. Designed to open or close any act such as a concert, a commemoration or a proclamation. After an energetic introduction the flute only introduces the main theme of the work. An expressive and emotive subject at the same time culminating with the reexposure of the introduction but with a final variation worthy of any apotheosis. On the day of its premiere, the end of the piece was accompanied by a large fireworks castle!

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    Retrospective

    For concert band or wind orchestra. Duration 13:30. Grade 5 (E).

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      We can translate the word ‘Retrospective’ as a look at the past. Time is infinite, we cannot stop it, only catch it to convert everything experienced and learned from the past into something better.

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      This work it’s a tribute to one of the most important and transcendental musicians of the 20th century, the director and composer Igor Fyodorovich Stravinsky (1882-1971), taking as main reference, one of the most important compositions that the russian composer wrote for wind instruments, his ‘Octet for Wind Instruments’. Stravinsky himself conducted the premiere of the Octet, at the Paris Opera House, on 18 October 1923. ‘Retrospective’ was presented in Spain on 21 October 2023 to commemorate exactly this centenary.

      The 3 main themes that ‘Retrospective’ draws on are: the original theme of the second movement of I. Stravinsky’s ‘Octet for Wind Instruments’ (Tema con Variazioni), its retrogression (which is the theme that gives the most meaning to the own title, to retrograde is also ‘throw back’), and thirdly, a variation based on the retrogradation of the original theme.

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      Premieres

      ES. Banda Sinfónica Municipal de Albacete. Rafael García, conductor. Albacete, Spain, 21/10/2023

      PT. Banda Marcial do Vale. Bruno Azevedo, conductor. Santa Maria da Feira, Portugal, 28/10/2023

      DEU. German Wind Philarmonic. Toni Scholl, director. Mannheim, Alemania, 31/05/2024

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      Stravaganza

      Double concertino for trumpet, bandoneon and concert band. Duration 18:00. Grade 5 (E).

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        Although the bandoneon is an instrument born in Europe, specifically in Germany, it is inevitable not to associate its characteristic sound with the most representative music of the Rio de la Plata,

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        Although the bandoneon is an instrument born in Europe, specifically in Germany, it is inevitable not to associate its characteristic sound with the most representative music of the Rio de la Plata, in the southern cone of the South American continent. The currently best-known repertoire throughout the world is evidence of the relative youth of the instrument and its roots in this part of the planet.

        But despite the immense possibilities that this instrument has,  the repertoire for string orchestra and especially for wind orchestra is still very scarce. Even more so the repertoire with original compositions written in concert format for this instrument as soloist and band formation, and not other more popular, well-known and commonly adapted or arranged musical genres or styles.

        Stravaganza is a double concert focused on exploiting to the maximum the possibilities of the trumpet but above all of the bandoneon, without any fear or prejudice of being able to play a demanding role as on countless other occasions other more common instruments play. A role to demonstrate the wide expressive, technical and musical spectrum, in short, that this instrument can offer, all without losing sight of the unmistakable references that have traditionally nurtured it: recognizable musical melodies, rhythmic sequences and South American essence.

        The role of the trumpet is a pure exercise in contrast between two musical conceptions that both solo instruments play in most of the work, although at some points they come together in the same way, delivered to an ‘extravagant’ conjunction.

        And both predominant instruments are always well supported by the rest of the wind orchestra, with the intention of taking advantage of its most powerful, unique sound possibilities, and that differentiate it from the rest of the instrumental formations. On this occasion tradition, contrast and originality try to go hand in hand from start to finish.

        Stravaganza is a commission from the Confederación Española de Sociedades Musicales – CESM (Spanish Confederation of Musical Societies), carried out in 2022.

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        Hemispheric Concerto

        Concerto. Tuba solo and concert band. Duration 11:50. Grade 5 (E).

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          Hemispheric Concerto is a work for tuba solo and concert band, dedicated and commissioned by the prestigious international tubista Ricardo Carvalhoso…

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          Hemispheric Concerto aims to reflect all this structuring through the fundamental concepts of causal reasoning, memory recovery, perception and balance in general. All this musically related from the main melodic elements that are born fundamentally in the second movement of the work (Lost memory) and that are shared equally in the first and third (Allegro Causal and Allegro Perceptual), resembling the functioning of the brain human.

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          Chocolat!

          For solo trumpet, two percussionists and concert band. Duration 8:20 aprox. Grade 5 (E).

          Chocolat!’ is a piece written for solo trumpet, two percussionists and concert band with…

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          Chocolat!’ is a piece written for solo trumpet, two percussionists and concert band with style inspired by funk and jazz music. The name, comes from the nickname of trumpet player Raúl Garcia ‘Chocolate’. It consists of a main part that is repeated in the third part of the work and a central part only where percusionitas and solo trumpet can openly vary the music initially proposed by the composer, totally ad libitum. It can also be interpreted as it is written. With a very current character, it is an ideal piece to complete a concert of original and different form. The level of the piece for the belt is 3-4. But ‘Chocolat!’ is more than another musical work for band, IS A PROJECT.

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          Menu

          Instrumentation concert band. Duration 11:55. Grade 5 (E).

          It is a work divided into three movements which are related to the development and “tasting” of a good gastronomic menu…

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          It is a work divided into three movements which are related to the development and “tasting” of a good gastronomic menu. The titles of these movements (L’Apéritif, La spécialité du Chef and “American pie”, le grand finale) are related to the content, character and rhythm of each dish prepared for this original menu: a short but intense starter, a main dish with different textures but very consistent, and a good dessert with a lot of flavor and a lot of rhythm.

          World Chain Premiere

           This is an original and new initiative never realized: the “premiere in chain” of a band composition. 

           The idea is born of the composer  himself: “For some time now I’ve been thinking about being able to carry out a project of these characteristics, to make a chain debut of one of my works. A premiere in each country. Only one premiere in each country”.

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          JAD-A-DAJ

          Instrumentation concert band. Duration 12:40. Grade 5 (E).

          JAD-A-DAJ received a 2nd prize at the Italian Concorso Internazionale di Composizione originale per banda…

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          The name ‘JAD-A-DAJ’ comes from a combination of several compositional resources, hence the subtitle ‘eclectic dialogues for band’. The music responds to a pure work of analysis and more specifically to the search to exploit contrasts in the wide range of sounds provided by the wind instruments and percussion. After stopovers in the Neapolitan scale Mayor and trying to obtain quarters for chords using all notes of that scale, I got a chord in which the interval appears completely symmetrical: it is what some composers have called ‘closed cycle of fourths’.

          JAD-A-DAJ received a 2nd prize at the Italian Concorso Internazionale di Composizione originale per banda 2009

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          omaira-carlos-pellicer

          Flash

          Suite for wind band. Duration 10:00. Grade 5 (E).

          FLASH, suite for wind band, was written in 2015. The work that names the first monographic CD…

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          FLASH, suite for wind band, was written in 2015. The work that names the first monographic CD of the wind music of Carlos Pellicer “Flash”, is written and dedicated to the Agrupació Musical Sta. Cecília d’Ador, Valencia, for the celebration of its 125th anniversary. 

          The work is structured in three movements: Overture, is built with a solid sonority combining different styles. Loving time, is much more classic and with great expressiveness. It differentiates two independent sub parts and a third that interrelates the two previous, inspired by two people of great importance for the author, his wife Natalia and his son Àlex. The work closes with a movement much more effective and brilliant, Adornian finale, name derived from the locality of Ador, to which belongs the Agrupació Musical Sta. Cecília d’Ador.

          This CD gathers some of the most important works of the composer edited by the Dutch publishing house Molenaar Edition.

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          omaira-carlos-pellicer

          Omaira

          Concerto. Version for trombone (bass or tenor) & wind orch. (or piano reduction). Duration 12:10. Grade 5 (E).

          Also available for Tuba solo and Euphonium solo

          On November 13th 1985 the town of Armero, in Colombia, was literally swept away. It was bombarded by…

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          On November 13th 1985 the town of Armero, in Colombia, was literally swept away. It was bombarded by an avalanche of mud and stones set off by the melting of glaciers caused by the soon-to-erupt Volcano Nevado del Ruiz. This composition is dedicated to then 13 year old, Omaira Sanchez, one of the more than 23,000 victims of this disaster. The version for bass trombón was released in April of 2013 by the Banda Municipal de Castellón under the direction of José Vte. Ramón Segarra and Javier Colomer (Bass trombone solo). The version for tenor trombone was released in December 2013 by the Banda Municipal de Pinto under the direction of Jose Antonio Blasco and Ximo Vicedo (solo tenor trombone – ORTVE).

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          Euphoric City

          Instrumentation concert band. Duration 10:20. Grade 5 (E).

          Euphoric City is a work that was commissioned by the Heart of Texas Concert Band to commemorate the…

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          Euphoric City is a work that was commissioned by the Heart of Texas Concert Band to commemorate the 300th anniversary of the founding of the city of San Antonio that was commemorated throughout the year 2018. Its premiere was on May 6, 2018 for the Heart of Texas Concert Band conducted by Carlos Pellicer. It has a clearly ‘euphoric’ character but at the same time with a certain feeling. San Antonio de Texas is located in an area of the southern United States that throughout its history has suffered great wars and major transformations. Without a doubt, a city that has evolved by giant steps during these 300 years to become one of the most important and representative cities in the United States.

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          Brassbound five

          Concert for brass quintet and concert band. Duration 12:00. Grade 5 (E).

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            Brassbound Five is a work written for brass quintet soloist and symphonic band. It was commissioned by the…

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            Brassbound Five is a work written for brass quintet soloist and symphonic band. It was commissioned by the Sanganxa Foundation (Spain) for its premiere during the 3rd Back to Brass Festival held in La Llosa de Ranes (Valencia-Spain) in December 2018. It is a piece with a marked virtuosic character in many moments and great expressiveness in others, especially for the 5 solo instruments. The position of the soloists is designed to be placed in front of the director, between himself and the rest of the band in a normal semicircular position (trumpet 1, horn, tuba, trombone and trumpet 2), except at certain times indicated in the score where they will change the position standing up behind the director and projecting firmly towards the audience. Also, the piece at other times is likely to be accompanied by some kind of coordinated choreography among the 5 solo musicians, this possibility being optional and free (not indicated in the score).

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            Belgian Brass and Brassbound Five


            GRADE 4



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            Sea Road

            For concert band or wind orchestra. Duration 13:00. Grade 4 (D).

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              Road. road to the sea, road to optimism, road to humility, road to the future. Sea Road was commissioned by the Agrupació Musical Cultural de Teulada (Spain) to celebrate its 50th anniversary (1973-2023),

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              Road. road to the sea, road to optimism, road to humility, road to the future. Sea Road was commissioned by the Agrupació Musical Cultural de Teulada (Spain) to celebrate its 50th anniversary (1973-2023), a relatively young band that carries its origin and the place where it was born and grew up for all fifty years. Its geographical location, to the northwest of the province of Alicante (Spain), sharing the demographic nucleus with Moraira, makes Teulada a unique territory that becomes the gateway (or road) to the sea. This fact is not insignificant, since despite the fact that international tourism invades almost any point of the Alicante coast today, the true heart of the population is, at least, a few kilometers from all this maelstrom, keeping intact its essence, its tradition, its culture, and above all the pride of being at the last point of a path that inevitably surprises us suddenly with the immensity of the sea.

              The music written in Sea Road aims to reflect how all this has been impregnated in the AMCT musicians themselves. They live and develop their passion for music outside of any almost picturesque expansion, and they cannot help but reflect their optimism to follow the same ‘road’ traveled up to now and their humility to not lose their origin, an origin symbolized in the work with the use, as a compositional resource, of a popular song that is well known throughout the Valencian territory and that tirelessly serves as a link throughout the audition. Sea Road is a work that is equally divided into moments of grandiosity, celebration, feeling, but especially a music that from beginning to end tries to reflect a lot of OPTIMISM. Always know who we have been, with unstoppable optimism to know what we want to be.

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              The Reason

              Diptych for wind orchestra. Duration 13:40. Grade 4-5 (D-E).

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                The reason is an intimate tour of our feelings through music. The lived and the desired, the most beautiful and the unexpected, the remembered and the ones we need to forget….

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                ‘The reason’ is an intimate tour of our feelings through music. The lived and the desired, the most beautiful and the unexpected, the remembered and the ones we need to forget. A reason, we just need to find a reason for it all, to make sense of our happiness. We are unconscious in thinking that it cannot happen to us, that they seem almost human experiences, feelings and experiences, even unattainable. The extreme situations we have experienced in recent years have perhaps confused us and impoverished our dreams. We stopped feeling like children, and we stopped feeling like we had won by meeting. A war always asleep, less and less… an unexpected pandemic. All this has prevented us at some point from waking up every morning dreaming, living without a clock, waiting for something to happen, even if it had not been the moment. We reflect too much, we feel little and we lack strength.

                The music written in ‘The reason’ wants to lead us to convince ourselves that we can start to believe the opposite and we can even feel it.

                The first movement of this diptych for wind orchestra aims to invade our hearts, that place that only we can truly access. Lead us to ‘think less, and feel more’ through possible reasons that each one can recognize if they have been lucky enough to be able to identify them without more: a constant dialogue of looks, perhaps, of caresses, do it towards the stars? Maybe. And we can? Sure we can. We just need to let ourselves go, not wait for any other train and get on the one that makes us happy, the one that makes us heal through the eyes, despite the silence, or the emptiness. To become almost human, to be true.

                The last part of the work aims to be impressive, from start to finish. Just a few minutes to experience that ‘strength’ that sometimes we assume we don’t have, but it always resurfaces, sooner rather than later. Living like this, we want to live like this despite everything. We are stronger if we smile more, if we try at least, and we only need to convince ourselves of it. Maybe we need some help. Something or someone to connect with. Trust, why not, in that reason that has made us feel more, think less, and make us stronger. That reason we want to be with us indefinitely, or wait for it forever. Time is infinite, it never stops. We can wait to get it. The important thing is to get it.

                I hope to fulfill my wish, to travel with you on this intimate journey through music, and to get you to recognize, like me, what your REASON could be.

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                Omaira

                Concerto. Version for euphonium & wind orch. (or piano). Duration 12:10. Grade 4 (D).

                Also available for Tuba solo and Trombone solo (bass or tenor)

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                  On November 13th 1985 the town of Armero, in Colombia, was literally swept away. It was bombarded by an avalanche

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                  On November 13th 1985 the town of Armero, in Colombia, was literally swept away. It was bombarded by an avalanche of mud and stones set off by the melting of glaciers caused by the soon-to-erupt Volcano Nevado del Ruiz. This composition is dedicated to then 13 year old, Omaira Sanchez, one of the more than 23,000 victims of this disaster. The version for bass trombón was released in April of 2013 by the Banda Municipal de Castellón under the direction of José Vte. Ramón Segarra and Javier Colomer (Bass trombone solo). The version for tenor trombone was released in December 2013 by the Banda Municipal de Pinto under the direction of Jose Antonio Blasco and Ximo Vicedo (solo tenor trombone – ORTVE).

                  This is the version for wind orchestra and euphonium. The new revised version for soloist and band euphonium was premiered on January 19, 2019 by the prestigious soloist Steven Mead along with the Belgian band Maasmechelen ConcertBand and maestro Mark Prills. Also, it is included in the latest CD of the prestigious English musician ‘PULSE’, with the ‘Royal Band of the Belgian Air Force, Conductor: Matty Cilissen.

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                  Omaira

                  Concerto. Version for tuba & wind orch. (or piano). Duration 12:10. Grade 4 (D).

                  Also available for Euphonium solo and Trombone solo (bass or tenor)

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                    On November 13th 1985 the town of Armero, in Colombia, was literally swept away. It was bombarded by an avalanche of mud and stones set off by

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                    On November 13th 1985 the town of Armero, in Colombia, was literally swept away. It was bombarded by an avalanche of mud and stones set off by the melting of glaciers caused by the soon-to-erupt Volcano Nevado del Ruiz. This composition is dedicated to then 13 year old, Omaira Sanchez, one of the more than 23,000 victims of this disaster. The version for bass trombón was released in April of 2013 by the Banda Municipal de Castellón under the direction of José Vte. Ramón Segarra and Javier Colomer (Bass trombone solo). The version for tenor trombone was released in December 2013 by the Banda Municipal de Pinto under the direction of Jose Antonio Blasco and Ximo Vicedo (solo tenor trombone – ORTVE).

                    This is the version for wind orchestra and euphonium. The new revised version for soloist and band euphonium was premiered on January 19, 2019 by the prestigious soloist Steven Mead along with the Belgian band Maasmechelen ConcertBand and maestro Mark Prills. Also, it is included in the latest CD of the prestigious English musician ‘PULSE’, with the ‘Royal Band of the Belgian Air Force, Conductor: Matty Cilissen.

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                    Iuventûs

                    Overture for concert band. Duration 10:20- Grade 4 (D).

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                      Iuventûs is an overture for band written in 2002 and is dedicated to the Youth Band of the…

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                      Iuventûs is an overture for band written in 2002 and is dedicated to the Youth Band of the ‘La Tropical de Benigánim Musical Society’ (Valencia-Spain). It is a very varied timbre and rhythmic piece with the intention of reflecting the freshness, intensity and uncontrolled happiness of that time that we have all lived: youth. The work is full of small individual interventions for a wide variety of instruments, ranging from the most serious to the most acute.

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                      Euphontastic

                      Concert for a euphonium solo and concert band. Duration 12:20. Grade 4 (D).

                      Obligatory piece for the 3rd Round of the AETYB Santiago de Compostela 2024 Competition. Category: Euphonium-Artists

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                        Euphontastic is a piece written for Solo Euphonium and concert band and is dedicated to Steven Mead…

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                        Euphontastic is a piece written for Solo Euphonium and concert band and is dedicated to Steven Mead, an English virtuoso euphonium soloist and teacher who has played an important role in achieving worldwide recognition of the instrument: the euphonium. The derivative title ‘Euphontastic’, comes from the union of two very significant words to understand the meaning and character of the work: Euphonium+Fantastic. Through this union a true relationship is created between the great moments of virtuosity of the work, the maximum expressivity taken to the limit and the great majesty, all carried out by the great possibilities of this instrument. The premiere of the work was made during the celebration of the World Conference of the WASBE 2019 (World Association for Symphonic Bands and Ensembles), in Buñol (Valencia) and with the same Steven Mead as a soloist, accompanied by the Rovereto Wind Orchestra (IT ) and under the direction of Maestro Andrea Loss.

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                        Latente overture

                        Overture for concert band. Duration 10:30. Grade 4 (D).

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                          Written in 2012 to be interpreted in the 34th Band Contest of the Comunidad Valenciana, Spain, as a piece of…

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                          Written in 2012 to be interpreted in the 34th Band Contest of the Comunidad Valenciana, Spain, as a piece of work of obligatory interpretation. The work is divided into three distinct parts. The first introduces itself in an almost surprising way and with a certain air of “intrigue”. After a section where part of the main theme of the work is exposed, a second part comes much more expressive and emotion. The final part comes by returning the materials previously exposed to finish energetically and very vibrant.

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                          subiaco-carlos-pellicer

                          Subiaco

                          Instrumentation concert band. Duration 10:00. Grade 4 (D).

                          The symphonic suite for band ‘Subiaco’  is based on a trip that the author makes to Italy…

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                          The symphoic suite for band ‘Subiaco’  is based on a trip that the author makes to Italy in the summer of 2003 and where he resides for a few days in a small city, Subiaco 63 km from Rome, where more than a century ago was the Birthplace of great painters and artists from all over Europe. Among them was Vicente March, an illustrious Valencian painter who lived there about 16 years and to whom the author dedicates this work.

                          The work is divided into four clearly differentiated movements, although the first is interlaced with the second, and the third with the fourth: The Streets of Subiaco, L’Aqcua dell’Aniene, Subiaco Pictoresco and Nerone (Final).

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                          vida-carlos-pellicer

                          Vida

                          Instrumentation concert band. Duration 10:26. Grade 4 (D).

                          Musical story for narrator and band written in 2002. ‘Vida’ is a work in which the thread…

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                          Musical story for narrator and band written in 2002. ‘Vida’ is a work in which the thread is the story of a Spanish girl, Maria, who lives bitter since her older brother, Carlos, had an accident that left him disabled . Thus the child tries to find the “spirit of life” to grant him a wish: the happiness of his brother. During the story, Maria encounters a spirit of which she becomes a close friend, and who believed that she had come to her to grant her wish, but it was not so. Arnas, his friend the “spirit,” had come to her to make her realize that life, in spite of all the catastrophes that may happen to us, must go on, with or without wheelchairs.

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                          GRADE 3



                          Score printed A3 or PDF

                          Com un remor a l’orella

                          ‘As a whisper to the ear’

                          Instrumentation concert band. Duration 6:26. Grade 3 (C).

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                            Written in 2004, ‘Com un remor a l’orella’ (As a whisper to the ear), it is dedicated to Arnau Pascual Navajas, son of the composer and conductor José Rafael Pascual-Vilaplana…

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                            Written in 2004, ‘Com a remor a l’orella’ (As a whisper to the ear), it is dedicated to Arnau Pascual Navajas, son of the composer and conductor José Rafael Pascual-Vilaplana, friend of the author. It was premiered by the Societat Musical “La Nova de Xàtiva” in March 2007, under the direction of José Rafael Pascual-Vilaplana. It is a short piece with free form where the tenderness and freshness of childhood is allowed to glimpse among his notes. After a brief introduction, the first part of the work is characterized by the warm cello, which gives off a tender melody in the form of a lullaby. Song that could be sung by a mother to her son, song that would arrive at the baby “as a whisper to the ear”.

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                            etna-carlos-pellicer

                            ETNA

                            Instrumentation concert band. Duration 12:40. Grade 3 (C).

                            The Symphonic Poem ‘ETNA’, is based on a legend that over the centuries has lasted between Greco-Roman mythology…

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                            The Symphonic Poem ‘ETNA’, is based on a legend that over the centuries has lasted between Greco-Roman mythology. It is considered that the legend is attributed to the mythical personage Hephaestus, Greek god of the fire, smith of the gods. This, like almost every Greek god, Hephaestus has its equivalent Roman god: Vulcan. That is why in Roman civilization also venerated the figure of the fire god but for them called Vulcan, of which has always maintained the same legend as on his Greek counterpart Hephaestus. It was premiered by Sociedad Musical “La Tropical” of Benigànim, Spain, on December 1999.

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